Thursday, February 21, 2019

The mountains skipped like rams, and the little hills like lambs

This post was earlier cross-posted at Leonid Schneider's site, hence the unfrivolous tone. The version there is improved by Leonid's editing and frame-story.

These curious images first appeared in PubPeer threads four years ago. They are ostensibly Transmission Electron Microscopy enlargements of Ag₂S or Ag nanoparticles, though with the replicated skulls or masks in motion across a backdrop of nanodetritus, they could easily be cover art for a Bauhaus or Wire bootleg album.

The response of the journals' editors, after F.-X. Coudert alerted them to the presence of Hallowe'en-themed 80s prog-rock covers, was mixed. In the case of the left-hand Figure 1c, from Kumari, Chandran and Khan (2014) - the later-submitted of the two, by a few days - the paper was eventually retracted, for this and other repetitions.
"Self-portrait with Skulls"
In the case of the right-hand Figure 1c, from Alam et al. (2014), the authors assured the editors that the identical particles 'A' and 'B' had not been cloned in Photoshop, and the editors accepted that assurance:
“Author […] stated that they were not duplicated. We accepted his statement and have no information that contradicts it.”
They did eventually publish a Corrigendum, replacing Figures 1c and 1d with completely different images. We'll come back to Fig 1d.
The wrong figures were submitted for Fig. 1c and d in the above referenced article. The correct figures are attached below. The authors regret for the error.
Did I mention that both journals are published by Elsevier?

I described the skulls as 'in motion', because there is a third version, with the skulls in an altered arrangement, while the material of which they are composed has changed to 'citric-stabilised magnetite' Fe3O4:
Equilibrium and kinetic studies on adsorptive removal of malachite green by the citrate-stabilized magnetite nanoparticles
"Malachite Green" was the hero in a series of Sherlock Holmes-pastiche detective novels from the 1930s. Not many people know that.

Perhaps they are being juggled.

At any rate, the retraction and correction focussed attention on a Scanning Electron Microscope (SEM) image present in both original versions as Figures 1d or 1b, though identified as Ag and as Ag₂S nanoparticles.

The intellects vast and cool and unsympathetic who hang out in PubPeer discussion threads were quick to point out that overlapping enlargements of the same Giger-esque particulate landscape appeared in three other papers... shifting their allegiances to ZnO, ZnO, and a ZnO / CdO composite.

And we shouldn't forget "Toxic potential of iron oxide, CdS/Ag₂S composite, CdS and Ag₂S NPs on a fresh water alga Mougeotia sp" (2015), in which Figure 1 is a tour-de-force of versatility. Three of its four panels consist of further enlargements from the same Protean nanoscape, variously rebranded as iron oxide AND CdS AND Ag₂S NP. Did I mention that all these papers have one author in common?

That team's microphotographic virtuosity does not end there. Further anonymous / pseudonymous scrutiny brought to light a sparser selection of nanodetritus in four-fold repetition, variously identified as colloidal-silver nanites; Titania / TiO₂ [Oberon not included]; Ag again; and ZnO. In that fourth appearance the fragments of nanodandruff have been shuffled around and recomposed within the digital image, with particle reduplication to maximize the aesthetic effect.

Our author of interest was not content with the scruffy, slightly-foxed imperfection of these images, and worked with his students in the quest for neatness and technical elegance:
For the past few years my students are working continuously in my laboratory to get hexagonal shaped ZnO NPs and we could achieve the same. The results were so perfect and TEM images were taken until we get very low noise and perfect hexagonal structure. The low noise was avoided by adjusting the contrast of the image.
They responded to his challenge with these Platonic visions of geometrical purity:
"Influence of humic acid on the stability and bacterial toxicity of zinc oxide nanoparticles in water" (2015)

"Interaction of colloidal zinc oxide nanoparticles with bovine serum albumin and its adsorption isotherms and kinetics" (2013)
We should also admire these two versions of a hexagonal ZnO crystal, affected by exopolysaccharides in one case and by capping agents in the other, which have left the crystal's internal structure unchanged while radically revamping the other contents of the micrographic frame. And changing its scale.

But appreciation of electron-microscopy manipulations should not distract us from the group's real metier, which lies in synthetic spectroscopy. "Unregistered Submission" at PubPeer brought together XRD patterns from five publications (and five materials). Here 'XRD' is X-Ray Diffraction: a crystal reflects an incident beam of X-rays at certain specific angles where the spacing of atoms along some plane within the crystal lattice matches the X-ray wavelength, allowing the crystallographer to characterise that arrangement of atoms and confirm or falsify what it's supposed to be. XRD does not require a single large crystal... like a rainbow, forming from light bouncing off a random cloud of raindrops without the need for a single large prism to refract the sunlight, it can work on a powder of tiny crystals (nanoparticles) in random alignments.

But there is inevitable noise in any diffractogram: small-scale fluctuations smearing out the flanks of the diffraction-angle peaks and ploughing up the flat baselines between them. Bear in mind that it is the business of the future noise to be dangerous different each time.

The earliest XRD trace in this set was from 2013 - at the bottom, here - and it seems to be the original. The material was ZnO. The small peak at 2θ = 18° was surplus to requirements, so in the 2014, 2014 and 2015 versions it was replaced by copy-pasting a small-angle squiggle (conceivably a signature).

The Solar Energy paper from 2015 ("Photocatalytic activation of CdS NPs under visible light for environmental cleanup and disinfection") is a special case where the target of the X-ray beam had changed to CdS nanoparticles. This required the creation of a new diffractogram by cutting the original one into peaks and baseline squiggles and reassembling them in new locations, copied where necessary.

Once you taste the joys of copy-pasting squiggles it is hard to stop. Akhil (2016) brought multiple variations on a theme together in one place: ostensibly independent measurements of ZnO NPs, separately synthesized while fine-turing their surfaces with ethylene glycol, polyvinyl alcohol, polyvinylpyrrolidone and gelatin. They differed only in the duplicated stretch spliced into the middle of each exhibit, with the bulk of the 2013 XRD pattern remaining constant.

As crystal-lattice fingerprints, these are nonsense; how could any competent reviewers accept these Photoshop [or MS Paint] confections?
But wait, there's more from S. Sudheer Khan's team! Please admire "Fig. 3. X-ray powder diffraction analysis of ...(b) CdS/Ag2S composite", from Jagadeesh et al (2015).

The next two XRD patterns were not reconstructions of the 2013 ZnO original. Both supposedly came from experiments with iron oxide. One is Figure 3(a) from Jagadeesh again; the second is Fig. 1(d) from Mishra, Chandran & Khan (2014) (which is the Malachite Green paper we encountered near the start). Both are Frankenstein-style patchwork productions. Neither is at all authentic.

Finally, a relatively subtle piece of digital retouching. Perhaps there was a gap left by removing a peak in the wrong place, to be bridged with what appear to be small, laterally-compressed Airedales. Closing the circle, this is Figure 1(e) ("XRD pattern of freshly synthesized Ag NPs") from Alam et al. (2014) - the corrected Spectrochimica Acta paper with which we began.

The authors had an opportunity to amend this Figure when they replaced 1(c) and 1(d), but passed it by, so I guess they still stand by 1(e).

As always, I am only showing the shiniest objects from the PubPeer threads, which readers should explore for themselves. More could be said about S. Sudheer Khan's colleagues at the same institution:
This paper is by authors from VIT Vellore. Several papers from this institute in Vellore have been discussed in Pub Peer. In the present case there is an extensive recycing of the same figures / data. It is hoped that the authorities of VIT Vellore will look into this and start taking approriate action to stop this practise.
Indeed, the "digital dandruff" image is not original to S.S.K., and its first two appearances [above] were in papers without his co-authorship; his colleagues passed it on when they had finished with it, like a half-sucked lollipop. But anyway, this is really a concern for Indian scientists. I am more interested in the whole saga as a symptom.
* * * * * * * * * * * * * * * * * * * *
Crap papers are written for any number of reasons. The general theme that as long as "science" is seen as a Good Thing, people will be keen to pretend that their mental effluvia count as "science" - even if they would be rejected from collections of Vogon Poetry. So we rely on the journals and their tradition of peer review to function as the Gate-Keepers of Academia... keeping the Literature unsullied by displays of gratuitous incompetence; by word-wooze churned out by seat-warming drones for CV-polishing and career enhancement; by alt-med grifters engaged in cargo-cult science and white-coat cosplay; by fabrications intended to camouflage someone's political agenda as Objective Fact.(thereby forcing all these different kinds of interlopers to launder their productions through journal-shaped dumpsters from predatory publishers, in the form of paid press releases in paper disguise).

But here the gate-keeping was an abject failure. The gates are wide open and so many Trojan Horses have trundled into Troy that the streets are congested and there is no space for the townspeople to go about their business. Emblazon the Wall of Shame with the names of the offending journals:

Bioprocess and Biosystems Engineering
Colloids and Surfaces B Biointerfaces (x 4)
Journal of Basic Microbiology (x 2)
Journal of Environmental Sciences
Journal of Photochemistry and Photobiology B Biology (x 5)
RSC Advances
Solar Energy
Spectrochimica Acta Part A

Not the Elsevier logo
This would be easy to understand if these were Open Access journals, with the authors paying for the expenses of science publication (including the publishers' profits!)... for arguably the OA paradigm discourages publishers from rejecting papers and imposing standards any higher than a Limbo bar, thereby turning down money [**cough** Frontiers]. But in this case the offenders were subscription-model journals (where readers pay for those expenses, which generally means "university libraries"). In fact the list is dominated by Elsevier assets - the Evil Empire of science publishing. Colloids and Surfaces B boasts of an Impact Factor of 3.997.

A contributing factor could be the dominant market positions of a few publishers. Or it could be the journal editors, who are often fighting to increase the prominence and prestige of their particular specialty (that's why they became editors!), even at the cost of padding out the page-count of their journals with empty pixels. But why bore you with my speculations, when I could be boring you with more examples of research malfeasance?
* * * * * * * * * * * * * * * * * * * *
So a challenger appears! Again, commended to our attention by F.-X. Coudert. The aptly-named Ali Fakhri [Young Researchers and Elites Club, Science and Research Branch, Islamic Azad University, Tehran] is at present represented in PubPeer by 16 23 threads of post-publication enquiry - the same number as more than Sudheer Khan but they are all recent papers from the last three years (in contrast to Khan who took eight or nine years to enliven the literature with his creations).
[updated in proof]

Fakhri's talents include liquid chromatography (Fakhri & Nejad, 2016):

...and patchwork Fourier-Transform Infrared spectra (Gupta et al. 2017)

However, his specialty consists of the production of XRD scans for a diversity of nanotechnology materials, plotted in a way that highlights the pixel-level jaggies of noise replicated across them.

Peaks duplicate and shift location like jumping genes, within single Figures and between papers. They bring to mind the Māori legends of migratory mountains.

The mountains skipped like rams, and the little hills like lambs.

These patterns are especially noteworthy for their baselines - the flat-line, diffraction-free, noise-only stretches between the peaks - where we find the noise repeated like a tape-loop or a music sample in some aspiring rapper's demo track (Fakhri & Kahi 2017).

Two more variations on the theme of graphene-oxide XRD:

Sometimes these reverberant noise sequences are assembled from smaller units, in the manner of trains, and it is tempting to turn them into animated GIFs in which they chug across the diagram trailing smoke. Sometimes they even find their way into XRD patterns made up for more than one paper.

The pinnacle of Fakhri's art practice was arguably Fakhri et al (2017), with two plots of XRD residuals - that is, the difference between the noise-ridden data and a theoretical angular distribution as predicted by a diffraction model with optimized parameters. These tracks of isolated noise are invented, bearing no discernible relationship to the purported "data", but even so they are identical across much of their angular range. The author could not be bothered fabricating two different noise tracks... or perhaps the duplication was deliberate, a challenge to the journal's editors and reviewers, boasting about the fictitious nature and daring them to challenge it.

This is what keeps bringing me back to the nanotechnology field (or Advanced Materials Science if you prefer). These are not marginal journals (IJBM has an IF of 3.909). Many of the people publishing in them - perhaps even the majority - are not fakes and frauds. But how are readers to tell which is which?

International Journal of Biological Macromolecules (x 6)
Journal of Colloid and Interface Science (x 2)
Journal of Inorganic and Organometallic Polymers and Materials
Journal of Materials Science Materials in Electronics (x 3)
Journal of Molecular Liquids (x 2)
Journal of Photochemistry and Photobiology B Biology (x 9)

Editors and reviewers looked at these 16 papers and thought "Yes, this is how XRD patterns are supposed to appear, full of rap-music samples, migratory mountains and toy train sets". Someone looked at these energy-dispersive Element Maps (Hosseini et al, 2018) and thought "Sulphur atoms in these MnS₂ particles are distributed in multiple copies of Freytag's Pyramid? That seems about right".

Fakhri et al (2019) include "Fig. 3 EDS elemental mapping of the of CoS₂–SiO₂-1/CS nanocomposites":

The Si and O panels, at least, were not obviously constructed from extensive use of the Clone stamp. Mind you, the Cobalt panel mostly looks plausible enough, except for the zone which was filled in with a repeating tow-truck motif.

Having started this post with TEM shenanigans, we should probably finish the same way:

The right-hand image nominally portrays a "CdSe quantum-dots-decorated SnO2 nanotube", but I like to think that it is really a digital plant-stem, suffering from an infestation of Photoshop scale-bugs.

Fakhri is not bound to a regular team of co-authors, and juggles a diverse list of collaborators (I surmise that he is invited into multiple projects to lend his X-ray diffraction skills). It does not do to think of all the well-intended researchers whose own work in these projects could become collateral damage in the event of any retractions.

Sunday, February 17, 2019

Artist's impression of Sacha Stone
"What fresh hilarity is ensuing from Sacha Stone (failed rock star, impresario of the ITNJ troupe of jurisprudential cosplayers, aspirant New Age / Libertarian guru and Friend of Riddled)?" asked absolutely no-one. For Sacha has more grifts in his scampire of websites than anyone not called 'Trump', but there is always room for another. So welcome to the 2019 New Earth Festival -- a Gathering-of-the-Tribes / Youf-Radicalising Event at the NewEarth Haven some beach-side bait-shop in Bali, in the manner of Fyre Festival Redux.

On the Island of the Gods
An immersive week long event at the famed NewEarth Haven in Bali
Featuring a line-up of pioneering international speakers and experts addressing the most critical issues facing people & planet whilst delivering on radical solutions
Film, Fashion, Music, Dance, Art….and Frontline Activism!
Ecstatic dance, yoga, traditional Balinese dance & ceremony

After long labours in the Photoshop Forge his graphic-art minions have wrought new logos, though sticking to their house style of spirograph-fucked-a-biohazard-sign mandalas.

Research reveals that there was a 2017 forerunner. If this was hugely hyped by well-remunerated Social-Media Influencers and Thought Leaders through Snapchat and Instagram, I would not know, but anyway it left no footprint on the Interducts other than Sacha's own Faceborg videotics and on-line pantechnicons of stolen artwork.

Né Mr. Simon Jean Paul Sacha Adams

By the time we enter the Land of WTF, it is too late to back out of the dumbassery rabbit-hole:

Te Kaha is a Maori Wisdom-Keeper beloved by many including the sisters and brothers of the NewEarth Project, having traveled from his sacred home in New Zealand to Bali, Indonesia for Symposium Workshop and Panel Talks at the Ancient Futures Festival at the NewEarth Haven, 2017.
“As a whaanau we made a choice to return to the Rohe Potai Oo Tuuhoe to grow our tamariki (children) in the ways of our tipuna (ancestors), on land stolen from us at the point of a gun. As a result we live on a mountain, off the grid, home-educating our tamariki (children), rewilding ourselves and regenerating the whenua (land) by planting an abundance of trees, growing our own food with permaculture practices and becoming the voice of the whenua.”
To read more about this extraordinary way-shower Te Kaha, and Pounamu please visit...
Cultural-prostitute scammers. Also spirit animals
WTF? "Wisdom-Keeper"? Way-shower"? Someone trained a neural network on 'Black Elk Speaks', and Grey Owl, and the dialog of every noble-savage character from Rider Haggard novels, and the websites of 17 different cultural-prostitute scammers pimping Vision Quests and Sweat Lodges and Spirit Animals and initiation into ancient tribal lore, to see what it would spew out spontaneously. The outcome was evidently Te Kaha ("The Strength"), who lives sustainably on a mountain in touch with the land, off the grid with only his children and his Whānau and his Faceborg page, webstore and promotional page at Sacha's "NewEarth University", speaking only in Papyrus font. Except when he is accruing air-points with flights around the world, monetarising tribal spirituality and the Traditional Māori Way of Childbirth.

Naturally Te Kaha has a sideline selling greenstone spirit-treasures pendants, which have all the authenticity of a jade vaginal egg from Goop, i.e. likely to be machine-milled Chinese nephrite if not 'cultured stone': he purports to speak for Ngāi Tūhoe ["the first nation people of Aotearoa (New Zealand), representing and sharing the ancient knowledge of his people"], but there is no pounamu in the Urewera region where that particular tribe resides, nor a great tradition of pounamu carving. I would not be too astonished if Te Kaha's real name is Derek and he lives in a nice middle-class suburb in North Auckland when he is not in costume with facepaint moko for imparting wisdom to halfwit Londoners at Māori Childbirthing Seminars.

Of course this is all a digression. But before we proceed, do take a moment to look around the on-line campus of Sacha's NewEarth University, where you can buy a degree in spirituality, and the curriculum features courses in "Owning Your Strawman" (i.e. the usual Sovereign-Citizen flimflam about "Learn this one trick to escape from financial obligations, debts and tax arrears -- Banks hate it!").

The real topic here, relevant to our interests at the Riddled School of Gorse-Flower Ikebana and Bafflegab Appreciation Society, is the "World Health Sovereignty Summit" - a 3-day immersive symposium following the Festival.

Artist's impression of Sacha Stone #2
But wait, there's more! - in the form of a further two days of legal-robe dress-up games from Sacha's ITNJ playmates who have appointed themselves to be a Judicial Commission of Inquiry into Chemtrails. All this and a sex / drugs / music / Balinese-culture beach party for financially-surfeited children, can you feel the synergy?

The Summit is a gabfest of Alt-Med scammers and lobbyists ready to speak out for Fraudster Freedom. Just look at the clown-car cavalcade of mountebanks. Have you ever seen such a shower of charlatans?

One notes on first glance that for the big-hitters in the medfraud industry, the invitation to speak was below their dignity ("Confirmation pending"). But Jim "Bleach Enema" Humble was desperate enough to accept, as was Marco Ruggiero, "inventor of Immortalis Klotho Formula, expected to become recognised as one of the greatest innovations in health-science history". Crivens! Ruggerio comes under the aegis of the Mad Scientist Anti-Defamation League. He and Ruggiero are old associates.

Further down the list, we meet Errol Denton, "Harley Street doctor and blood analysis spcialist who has been targeted and professionally molested by elements within the British medical establishment for his pioneering and highly effective methods of treating cancers and other serious illnesses. He is an ITNJ Expert Witness". Which sounds better than "Unqualified fraudster and convicted felon". Anyway, who wants to be molested by amateurs?

And beside him, Robert O. Young, "one of the world’s most accomplished health science innovators and practitioners... developed methods and products which routinely treat and cure complex health conditions. Targeted by rogue elements within the US medical establishment he is an ITNJ Judicial Commission Expert Witness". Which sounds better than "Unqualified fraudster, fined $105m for talking a customer into painful suicide". I didn't even know that his 44-month sentence was over.

[Left: Uncredited stock art]

[Right: Séraphine Pick, "Easy Living II"]